jama 262468 jmcvey
introduction of the jama262468 project (ca 2016) : link
the marked-up thumbnails : link
the (recently de-privatized) tumblr archive : link
here are reversible derivations of those derivations, in progress.
because of the (imperfect) way I have set up the lines in groups (stanzas?) of five, the ABC order of the phrases comes into view only by scrolling down.
this is an experiment in progress.
↕ | ↕ | |
---|---|---|
468 | continuing the dilution still further | |
467 | from one side to the other | |
466 | with a tendency, blindness | |
465 | and then and the and this | |
464 | water, this hitherto unknown | |
. | ||
463 | picture emotions whole | |
462 | islands, shadows, not necessarily a sign | |
461 | galvanic currents, osmic vapor | |
460 | sleeping theory, guesswork excess | |
459 | a breeze on the skin | |
. | ||
458 | eponyms | |
457 | old age, old truths about | |
456 | like chalk | |
455 | of twists or kinks divided | |
454 | adjustment of the eyes | |
. | ||
453 | exceptional instances | |
452 | quickening, quickening | |
451 | on the whole | |
450 | a jumble, anomalies of form | |
449 | four ways in which, ten questions only | |
. | ||
448 | all the ’ologies how | |
447 | a standard blank | |
446 | and antecedents, or | |
445 | minor notes, open air | |
444 | on the, from the | |
. | ||
443 | effusions done | |
442 | become, the essential points | |
441 | and of and other matter | |
440 | from the effects of (it is believed) | |
439 | of the air unknown | |
. | ||
438 | over the edge, aviating again | |
437 | and nomenclature whether | |
436 | only windows, with letters | |
435 | by the side | |
434 | ventilation | |
. | ||
433 | with regard to birds | |
432 | largely a compilation | |
431 | moving picture | |
430 | wells and springs | |
429 | Metaphysical Healing Home | |
. | ||
428 | a tent-house Cosmos from abroad | |
427 | of the kind now in mind, its special field | |
426 | and the thousand and one things | |
425 | a mild current, a hitherto unknown | |
424 | a new theory of sorrow, more | |
. | ||
423 | idiosyncrasy there may be, bluish given, slowed | |
422 | induration of the heart, the whole heart for a day or two | |
421 | leaves, these active principles of | |
420 | whirr, and backward | |
419 | and in the course of time | |
. | ||
418 | somewhat indistinct, at times distinctly purring | |
417 | art, I can only say | |
416 | to say nothing of habits of life, his habits of life | |
415 | will never be seen | |
414 | under proper circumstances | |
. | ||
413 | of known value, of doubt | |
412 | for they melt and only slightly detonate | |
411 | a sort of soliloquy, in an unknown tongue | |
410 | a scattering fire, a few matters | |
409 | in this they rarely fail | |
. | ||
408 | no single cause, or some new | |
407 | idiosyncrasy, possibly | |
406 | could not walk | |
405 | found, showing | |
404 | no machine at hand. no machine at hand. | |
. | ||
403 | of doubtful value, difficult to draw | |
402 | more baffling other | |
401 | shrunken too large | |
400 | direction, anchor, teeth | |
399 | at a loss to know | |
. | ||
398 | theory of linen thread | |
397 | law of compensation | |
396 | the same pattern | |
395 | first the thickening | |
394 | wall, rather diffuse | |
. | ||
393 | a slow one | |
392 | a hand, a place | |
391 | deeper than usual, being at a loss | |
390 | etc., last indexed | |
389 | affections the same way | |
. | ||
388 | emanations local | |
387 | local syllables, later water | |
386 | at the first signs | |
385 | sudden, in the legs | |
384 | blues in the open air | |
. | ||
383 | sound, so prolonged | |
382 | whose wall gave way | |
381 | the brighter side | |
380 | or even no | |
379 | if the opening is carefully made | |
. | ||
378 | a thickening, a better term | |
377 | in all directions other words | |
376 | day to day, if not before | |
375 | in the morning exploration | |
374 | a broken compensation | |
. | ||
373 | familiarity with bee-life | |
372 | with the exception of a few interpolations | |
371 | reciprocity | |
370 | intermediary islands | |
369 | o. details, abstract | |
. | ||
368 | more, and the width of curves | |
367 | refractions of some idea | |
366 | a fire in its wake | |
365 | that is to say | |
364 | blind, appearing as | |
. | ||
363 | dilation of the heart. driftwood. | |
362 | a life otherwise | |
361 | colors, of the remaining | |
360 | after eight days | |
359 | one part of the mind being contemplated by another | |
. | ||
358 | grappling with the task | |
357 | elsewhere entirely | |
356 | an icy walk and a sun-parlor | |
355 | practical and theoretical lines | |
354 | relics of a more careless age | |
. | ||
353 | specific affinity, the new régime | |
352 | noise and devastation, properly directed | |
351 | the only safe means | |
350 | echoes, drawn | |
349 | hypnotics, iron | |
. | ||
348 | and photophobia, this was the beginning | |
347 | Don’t use glass pearls in the mixing jar. | |
346 | but a few words, a deep blue-black | |
345 | blue and other stains | |
344 | removal of a sewing-needle | |
. | ||
343 | the practice of these figures, the combined action | |
342 | of the work that body made clear | |
341 | the abandonment of the idea | |
340 | an index needs but the simple | |
339 | from which the lingual springs | |
. | ||
338 | gave rise to working backward | |
337 | on one side, on one spot | |
336 | from one to the other, but | |
335 | that the fall a rise, in the evening | |
334 | so perfectly a cure | |
. | ||
333 | floating, failure of transition | |
332 | two or three grams of | |
331 | nothing | |
330 | so mingled these figures | |
329 | even this amount, a great wave | |
. | ||
328 | by long usage small | |
327 | of other ways | |
326 | or in early days, the price | |
325 | sudden bursts of causality | |
324 | in curiosities known | |
. | ||
323 | analogy more | |
322 | of the flow of, what is there left | |
321 | chance in a word | |
320 | in some, too | |
319 | or even in the hands | |
. | ||
318 | so slight a doubt, but I have learned to rely on them | |
317 | any one of these | |
316 | the whole number, in a word | |
315 | rise and fall, the loss of | |
314 | isthmus persists | |
. | ||
313 | a change in the voice | |
312 | scarcely any but the parts | |
311 | to obtain light | |
310 | tender points, movements of | |
309 | its source of origin, e | |
. | ||
308 | best when early | |
307 | modern ideas, index of | |
306 | from before, and certain changes | |
305 | acquired barrier, passing practices | |
304 | so atypical as to go | |
. | ||
303 | to walk about | |
302 | that cannot be brought into place | |
301 | various forms, the lesser curvature | |
300 | the lesser curvature again | |
299 | and out and back | |
. | ||
298 | through and through, obscure cases of | |
297 | light of, in the light of | |
296 | whether it was real, stay | |
295 | leaves, in a minute’s time. so perfectly clear. | |
294 | hinged leaves and the like | |
. | ||
293 | distinct lines a stage of latency yet | |
292 | wasted in useless description. only regrets. | |
291 | and 10 failed under, and 1 failed through | |
290 | eye, ear, reduced to the inorganic form at the proper time | |
289 | dose and value, the suddeness of onset | |
. | ||
288 | no matter, changed by his surroundings worse | |
287 | writing it seemed, a few drams of water | |
286 | at his home in Bliss, at his home in Barren Fork | |
285 | of shore, or sweating in a small area, night work too | |
284 | the forward movement, that the labor is not harmless | |
. | ||
283 | three out of eleven, one out of the twenty, habitable asphalt | |
282 | of open-air, in closer touch | |
281 | nuisances, with none of its past affiliations | |
280 | and the women warned | |
279 | for incurables, in the lower part | |
. | ||
278 | of special rooms | |
277 | south. bend. | |
276 | the question of upkeep the old adage, drawing | |
275 | reading pages, as a rule, as before | |
274 | this one, the several, a cruelty rather than a kindness | |
. | ||
273 | of any sort, as little is known | |
272 | notably two, found among found | |
271 | will often, of course, not | |
270 | with broken heart, in other words | |
269 | dimly drawn, a not infrequent cause | |
. | ||
268 | a few lines, where lines of | |
267 | a tracing, the thought suggested itself | |
266 | as before. Lines as before. | |
265 | at least two. a series. | |
264 | in other words, a loopful | |
. | ||
263 | once or twice, by accident more | |
262 | I feel mighty queer, and can hardly see. |
16 April 2023